»Buchdruck und Bleisatz sind eine 500 Jahre alte Kulturtechnik, revolutionär und zukunftsgewandt. Jede Zeit hat ihre Höhepunkte, aber etwas bleibt: die ästhetische Ausdruckskraft, die modulare Effizienz und der Beginn der seriellen Produktion.«

Marc Brandenburg

Hier, auf einem Vierseitenhof, erstrahlt die alte Werkstatt und historische Druckerei in neuem Glanz. Der Hof am Rande des Ortes Buskow, nahe der Stadt Neuruppin, bietet für das Bodoni-Museum einmalige räumliche Möglichkeiten und zugleich die Chance, die Angebote des Vereins über Berlin hinaus in einen ländlichen, kulturhistorisch geprägten Raum zu tragen.

Für BODONI ergeben sich hier neue Möglichkeiten, sowohl im produktiven Bereich als auch in der Ausweitung der Aktivitäten nach außen. Das Ziel dabei ist ein ausgerichtetes Zentrum angewandter Drucktechnik, Ästhetik, moderner Typografie, interessanter Wissensvermittlung und anregender Kommunikation zu bilden und konkrete Projekte langfristig planbar durchführen zu können. Dies eingebettet in die kulturellen Aktivitäten der Region und der naheliegenden Fontanestadt Neuruppin mit ihrem klassizistischen Stadtkern und attraktiven touristischen Angeboten, die Anziehungspunkt für viele Besucher sind.

Die Großzügigkeit und Eigenständigkeit des Vierseitenhofes kann Freunden des Vereins nicht nur eine angenehme Atmosphäre sondern auch Möglichkeiten für Entspannung bieten.

Der Pläne sind derer viel. Wir sind offen für externe Projektarbeit in Räumlichkeiten von Schulen und Kindergärten der Umgebung oder in unserer Druckwerkstatt.

Der Bodoni-Vielseithof ist geboren.

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

Visitor-focused design — what good sites do

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

• Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed consetetur
• Diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat
• Sed diam voluptua. At vero eos et accusam dolore magna dolor
• Et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata
• Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

On Exhibit: Lost Synagogues of Europe

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

“He belonged to the Florentine School under the patronage of Lorenzo de‘ Medici, a movement that Giorgio Vasari would characterize less a hundred years later in his Vita of Botticelli as a golden age.”

Pablo Picasso

In view in the Yiddish Book Center’s Brechner Gallery now through March 2019, Lost Synagogues of Europe is a collection of early twentieth-century postcards on Jewish themes, many of them depicting synagogues in Eastern Europe that were destroyed during World War II. The postcards come from the collection of Frantisek Banyai, a Prague-based entrepreneur and son of Holocaust survivors who began amassing the collection 40 years ago and continues his search today

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you ’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make work better for your visitors and advocate for effective change as part of organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

Visitor-focused design — what good sites do

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

• Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed consetetur
• Diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat
• Sed diam voluptua. At vero eos et accusam dolore magna dolor
• Et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata
• Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

On Exhibit: Lost Synagogues of Europe

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

“He belonged to the Florentine School under the patronage of Lorenzo de‘ Medici, a movement that Giorgio Vasari would characterize less a hundred years later in his Vita of Botticelli as a golden age.”

Pablo Picasso

In view in the Yiddish Book Center’s Brechner Gallery now through March 2019, Lost Synagogues of Europe is a collection of early twentieth-century postcards on Jewish themes, many of them depicting synagogues in Eastern Europe that were destroyed during World War II. The postcards come from the collection of Frantisek Banyai, a Prague-based entrepreneur and son of Holocaust survivors who began amassing the collection 40 years ago and continues his search today

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you ’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make work better for your visitors and advocate for effective change as part of organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

Visitor-focused design — what good sites do

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

• Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed consetetur
• Diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat
• Sed diam voluptua. At vero eos et accusam dolore magna dolor
• Et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata
• Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

On Exhibit: Lost Synagogues of Europe

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

“He belonged to the Florentine School under the patronage of Lorenzo de‘ Medici, a movement that Giorgio Vasari would characterize less a hundred years later in his Vita of Botticelli as a golden age.”

Pablo Picasso

In view in the Yiddish Book Center’s Brechner Gallery now through March 2019, Lost Synagogues of Europe is a collection of early twentieth-century postcards on Jewish themes, many of them depicting synagogues in Eastern Europe that were destroyed during World War II. The postcards come from the collection of Frantisek Banyai, a Prague-based entrepreneur and son of Holocaust survivors who began amassing the collection 40 years ago and continues his search today

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you ’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make work better for your visitors and advocate for effective change as part of organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

Visitor-focused design — what good sites do

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

• Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed consetetur
• Diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat
• Sed diam voluptua. At vero eos et accusam dolore magna dolor
• Et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata
• Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

On Exhibit: Lost Synagogues of Europe

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

“He belonged to the Florentine School under the patronage of Lorenzo de‘ Medici, a movement that Giorgio Vasari would characterize less a hundred years later in his Vita of Botticelli as a golden age.”

Pablo Picasso

In view in the Yiddish Book Center’s Brechner Gallery now through March 2019, Lost Synagogues of Europe is a collection of early twentieth-century postcards on Jewish themes, many of them depicting synagogues in Eastern Europe that were destroyed during World War II. The postcards come from the collection of Frantisek Banyai, a Prague-based entrepreneur and son of Holocaust survivors who began amassing the collection 40 years ago and continues his search today

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you ’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make work better for your visitors and advocate for effective change as part of organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you ’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make work better for your visitors and advocate for effective change as part of organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

Visitor-focused design — what good sites do

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

• Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed consetetur
• Diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat
• Sed diam voluptua. At vero eos et accusam dolore magna dolor
• Et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata
• Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

On Exhibit: Lost Synagogues of Europe

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

“He belonged to the Florentine School under the patronage of Lorenzo de‘ Medici, a movement that Giorgio Vasari would

characterize less a hundred years later in his Vita of Botticelli as a golden age.”

Pablo Picasso

In view in the Yiddish Book Center’s Brechner Gallery now through March 2019, Lost Synagogues of Europe is a collection of early twentieth-century postcards on Jewish themes, many of them depicting synagogues in Eastern Europe that were destroyed during World War II. The postcards come from the collection of Frantisek Banyai, a Prague-based entrepreneur and son of Holocaust survivors who began amassing the collection 40 years ago and continues his search today

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.