News – BODONI https://bodoni.org Druck & Kultur Mon, 09 Dec 2019 08:44:06 +0000 de hourly 1 https://wordpress.org/?v=7.0 https://i0.wp.com/bodoni.org/wp-content/uploads/2021/01/cropped-LadeLogo-Webseite-1.png?fit=32%2C32&ssl=1 News – BODONI https://bodoni.org 32 32 191594430 Is it time to hire an art studio assistant? https://bodoni.org/is-it-time-to-hire-an-art-studio-assistant/ https://bodoni.org/is-it-time-to-hire-an-art-studio-assistant/#respond Mon, 03 Jun 2019 07:12:33 +0000 http:////verein.bodoni.org/?p=443 How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

Visitor-focused design — what good sites do

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

  • Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed consetetur
  • Diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat
  • Sed diam voluptua. At vero eos et accusam dolore magna dolor
  • Et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata
  • Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

On Exhibit: Lost Synagogues of Europe

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

“He belonged to the Florentine School under the patronage of Lorenzo de‘ Medici, a movement that Giorgio Vasari would characterize less a hundred years later in his Vita of Botticelli as a golden age.”

Pablo Picasso

In view in the Yiddish Book Center’s Brechner Gallery now through March 2019, Lost Synagogues of Europe is a collection of early twentieth-century postcards on Jewish themes, many of them depicting synagogues in Eastern Europe that were destroyed during World War II. The postcards come from the collection of Frantisek Banyai, a Prague-based entrepreneur and son of Holocaust survivors who began amassing the collection 40 years ago and continues his search today

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you ’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make work better for your visitors and advocate for effective change as part of organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

]]> https://bodoni.org/is-it-time-to-hire-an-art-studio-assistant/feed/ 0 443 Tips for art fair success https://bodoni.org/tips-for-art-fair-success/ https://bodoni.org/tips-for-art-fair-success/#respond Mon, 03 Jun 2019 07:11:20 +0000 http:////verein.bodoni.org/?p=440 How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

Visitor-focused design — what good sites do

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

  • Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed consetetur
  • Diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat
  • Sed diam voluptua. At vero eos et accusam dolore magna dolor
  • Et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata
  • Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

On Exhibit: Lost Synagogues of Europe

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

“He belonged to the Florentine School under the patronage of Lorenzo de‘ Medici, a movement that Giorgio Vasari would characterize less a hundred years later in his Vita of Botticelli as a golden age.”

Pablo Picasso

In view in the Yiddish Book Center’s Brechner Gallery now through March 2019, Lost Synagogues of Europe is a collection of early twentieth-century postcards on Jewish themes, many of them depicting synagogues in Eastern Europe that were destroyed during World War II. The postcards come from the collection of Frantisek Banyai, a Prague-based entrepreneur and son of Holocaust survivors who began amassing the collection 40 years ago and continues his search today

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you ’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make work better for your visitors and advocate for effective change as part of organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

]]> https://bodoni.org/tips-for-art-fair-success/feed/ 0 440 Art fairs worth the trip https://bodoni.org/art-fairs-worth-the-trip/ https://bodoni.org/art-fairs-worth-the-trip/#respond Mon, 03 Jun 2019 07:10:41 +0000 http:////verein.bodoni.org/?p=438 How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

Visitor-focused design — what good sites do

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

  • Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed consetetur
  • Diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat
  • Sed diam voluptua. At vero eos et accusam dolore magna dolor
  • Et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata
  • Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

On Exhibit: Lost Synagogues of Europe

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

“He belonged to the Florentine School under the patronage of Lorenzo de‘ Medici, a movement that Giorgio Vasari would characterize less a hundred years later in his Vita of Botticelli as a golden age.”

Pablo Picasso

In view in the Yiddish Book Center’s Brechner Gallery now through March 2019, Lost Synagogues of Europe is a collection of early twentieth-century postcards on Jewish themes, many of them depicting synagogues in Eastern Europe that were destroyed during World War II. The postcards come from the collection of Frantisek Banyai, a Prague-based entrepreneur and son of Holocaust survivors who began amassing the collection 40 years ago and continues his search today

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you ’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make work better for your visitors and advocate for effective change as part of organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

]]> https://bodoni.org/art-fairs-worth-the-trip/feed/ 0 438 The first steps to starting an art business https://bodoni.org/the-first-steps-to-starting-an-art-business/ https://bodoni.org/the-first-steps-to-starting-an-art-business/#respond Mon, 03 Jun 2019 07:09:08 +0000 http:////verein.bodoni.org/?p=435 How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

Visitor-focused design — what good sites do

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

  • Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed consetetur
  • Diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat
  • Sed diam voluptua. At vero eos et accusam dolore magna dolor
  • Et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata
  • Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

On Exhibit: Lost Synagogues of Europe

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

“He belonged to the Florentine School under the patronage of Lorenzo de‘ Medici, a movement that Giorgio Vasari would characterize less a hundred years later in his Vita of Botticelli as a golden age.”

Pablo Picasso

In view in the Yiddish Book Center’s Brechner Gallery now through March 2019, Lost Synagogues of Europe is a collection of early twentieth-century postcards on Jewish themes, many of them depicting synagogues in Eastern Europe that were destroyed during World War II. The postcards come from the collection of Frantisek Banyai, a Prague-based entrepreneur and son of Holocaust survivors who began amassing the collection 40 years ago and continues his search today

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you ’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make work better for your visitors and advocate for effective change as part of organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

]]> https://bodoni.org/the-first-steps-to-starting-an-art-business/feed/ 0 435 Cost of your art collection https://bodoni.org/cost-of-your-art-collection/ https://bodoni.org/cost-of-your-art-collection/#respond Mon, 03 Jun 2019 07:08:25 +0000 http:////verein.bodoni.org/?p=432 How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

Visitor-focused design — what good sites do

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

  • Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed consetetur
  • Diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat
  • Sed diam voluptua. At vero eos et accusam dolore magna dolor
  • Et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata
  • Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

On Exhibit: Lost Synagogues of Europe

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

“He belonged to the Florentine School under the patronage of Lorenzo de‘ Medici, a movement that Giorgio Vasari would characterize less a hundred years later in his Vita of Botticelli as a golden age.”

Pablo Picasso

In view in the Yiddish Book Center’s Brechner Gallery now through March 2019, Lost Synagogues of Europe is a collection of early twentieth-century postcards on Jewish themes, many of them depicting synagogues in Eastern Europe that were destroyed during World War II. The postcards come from the collection of Frantisek Banyai, a Prague-based entrepreneur and son of Holocaust survivors who began amassing the collection 40 years ago and continues his search today

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you ’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make work better for your visitors and advocate for effective change as part of organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

]]> https://bodoni.org/cost-of-your-art-collection/feed/ 0 432 Do you need expensive art supplies to make good art? https://bodoni.org/do-you-need-expensive-art-supplies-to-make-good-art/ https://bodoni.org/do-you-need-expensive-art-supplies-to-make-good-art/#respond Mon, 03 Jun 2019 07:07:10 +0000 http:////verein.bodoni.org/?p=429 How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

Visitor-focused design — what good sites do

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

  • Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed consetetur
  • Diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat
  • Sed diam voluptua. At vero eos et accusam dolore magna dolor
  • Et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata
  • Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

On Exhibit: Lost Synagogues of Europe

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

“He belonged to the Florentine School under the patronage of Lorenzo de‘ Medici, a movement that Giorgio Vasari would characterize less a hundred years later in his Vita of Botticelli as a golden age.”

Pablo Picasso

In view in the Yiddish Book Center’s Brechner Gallery now through March 2019, Lost Synagogues of Europe is a collection of early twentieth-century postcards on Jewish themes, many of them depicting synagogues in Eastern Europe that were destroyed during World War II. The postcards come from the collection of Frantisek Banyai, a Prague-based entrepreneur and son of Holocaust survivors who began amassing the collection 40 years ago and continues his search today

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you ’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make work better for your visitors and advocate for effective change as part of organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

]]> https://bodoni.org/do-you-need-expensive-art-supplies-to-make-good-art/feed/ 0 429 How to get your art funded https://bodoni.org/how-to-get-your-art-funded/ https://bodoni.org/how-to-get-your-art-funded/#respond Mon, 03 Jun 2019 07:06:40 +0000 http:////verein.bodoni.org/?p=427 How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

Visitor-focused design — what good sites do

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

  • Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed consetetur
  • Diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat
  • Sed diam voluptua. At vero eos et accusam dolore magna dolor
  • Et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata
  • Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

On Exhibit: Lost Synagogues of Europe

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

“He belonged to the Florentine School under the patronage of Lorenzo de‘ Medici, a movement that Giorgio Vasari would characterize less a hundred years later in his Vita of Botticelli as a golden age.”

Pablo Picasso

In view in the Yiddish Book Center’s Brechner Gallery now through March 2019, Lost Synagogues of Europe is a collection of early twentieth-century postcards on Jewish themes, many of them depicting synagogues in Eastern Europe that were destroyed during World War II. The postcards come from the collection of Frantisek Banyai, a Prague-based entrepreneur and son of Holocaust survivors who began amassing the collection 40 years ago and continues his search today

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you ’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make work better for your visitors and advocate for effective change as part of organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

]]> https://bodoni.org/how-to-get-your-art-funded/feed/ 0 427 How to discover your taste as a new art collector https://bodoni.org/how-to-discover-your-taste-as-a-new-art-collector/ https://bodoni.org/how-to-discover-your-taste-as-a-new-art-collector/#respond Mon, 03 Jun 2019 07:05:19 +0000 http:////verein.bodoni.org/?p=424 How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

Visitor-focused design — what good sites do

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

  • Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed consetetur
  • Diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat
  • Sed diam voluptua. At vero eos et accusam dolore magna dolor
  • Et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata
  • Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

On Exhibit: Lost Synagogues of Europe

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

“He belonged to the Florentine School under the patronage of Lorenzo de‘ Medici, a movement that Giorgio Vasari would characterize less a hundred years later in his Vita of Botticelli as a golden age.”

Pablo Picasso

In view in the Yiddish Book Center’s Brechner Gallery now through March 2019, Lost Synagogues of Europe is a collection of early twentieth-century postcards on Jewish themes, many of them depicting synagogues in Eastern Europe that were destroyed during World War II. The postcards come from the collection of Frantisek Banyai, a Prague-based entrepreneur and son of Holocaust survivors who began amassing the collection 40 years ago and continues his search today

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you ’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make work better for your visitors and advocate for effective change as part of organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

]]> https://bodoni.org/how-to-discover-your-taste-as-a-new-art-collector/feed/ 0 424 Things successful artists refuse to do https://bodoni.org/things-successful-artists-refuse-to-do/ https://bodoni.org/things-successful-artists-refuse-to-do/#respond Mon, 03 Jun 2019 07:04:26 +0000 http:////verein.bodoni.org/?p=421 How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

Visitor-focused design — what good sites do

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

  • Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed consetetur
  • Diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat
  • Sed diam voluptua. At vero eos et accusam dolore magna dolor
  • Et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata
  • Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

On Exhibit: Lost Synagogues of Europe

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

“He belonged to the Florentine School under the patronage of Lorenzo de‘ Medici, a movement that Giorgio Vasari would characterize less a hundred years later in his Vita of Botticelli as a golden age.”

Pablo Picasso

In view in the Yiddish Book Center’s Brechner Gallery now through March 2019, Lost Synagogues of Europe is a collection of early twentieth-century postcards on Jewish themes, many of them depicting synagogues in Eastern Europe that were destroyed during World War II. The postcards come from the collection of Frantisek Banyai, a Prague-based entrepreneur and son of Holocaust survivors who began amassing the collection 40 years ago and continues his search today

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you ’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make work better for your visitors and advocate for effective change as part of organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

]]> https://bodoni.org/things-successful-artists-refuse-to-do/feed/ 0 421 Building the best online portfolio for your art https://bodoni.org/building-the-best-online-portfolio-for-your-art/ https://bodoni.org/building-the-best-online-portfolio-for-your-art/#respond Mon, 03 Jun 2019 07:03:43 +0000 http:////verein.bodoni.org/?p=419 How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

Visitor-focused design — what good sites do

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

  • Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed consetetur
  • Diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat
  • Sed diam voluptua. At vero eos et accusam dolore magna dolor
  • Et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata
  • Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make it work better for your visitors and advocate for effective change as part of your organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

How strong is your museum’s website as part of the whole offer? Does it reflect your identity as an organisation? Does it appeal to your visitors? What does it really need? Are there trends to pay attention to? Others to ignore? What makes the site appealing? What mistakes can you avoid?If your work involves museum websites these will be questions you’ll have to tackle, whether you’re commissioning a new site or just trying to keep the current one healthy.

On Exhibit: Lost Synagogues of Europe

This post will take you through the essential ways in which your site needs to answer key visitor questions for 2017. First, we’ll spin through the process we used. Then, the main points: three key groups of questions your site needs to answer for your visitors.

“He belonged to the Florentine School under the patronage of Lorenzo de‘ Medici, a movement that Giorgio Vasari would characterize less a hundred years later in his Vita of Botticelli as a golden age.”

Pablo Picasso

In view in the Yiddish Book Center’s Brechner Gallery now through March 2019, Lost Synagogues of Europe is a collection of early twentieth-century postcards on Jewish themes, many of them depicting synagogues in Eastern Europe that were destroyed during World War II. The postcards come from the collection of Frantisek Banyai, a Prague-based entrepreneur and son of Holocaust survivors who began amassing the collection 40 years ago and continues his search today

Finally, a dive into the building blocks that help a site work particularly effectively. Hopefully, you ’ll finish the post with a fresh perspective on your own site: you’ll be able to identify how to make work better for your visitors and advocate for effective change as part of organisation’s strategy. Of course, we threw some sites we built at Cogapp into the mix too.

]]> https://bodoni.org/building-the-best-online-portfolio-for-your-art/feed/ 0 419